Workshops

 Founder Director of ANVESHANA DANCE THEATRE, Sangeeta Sharma, an Indian contemporary dancer and choreographer with an experience of over 23 years in the field of the Indian & western dance. Sangeeta’s choreographed pieces demonstrate her unique creative and innovative style to bring up issues facing the society, journey into the internal struggle and conflicts of each individual, share of her own  spiritual search with the audience or even dwell into the interconnectedness between theatre and dance

For the last 15 years, Sangeeta has been experimenting in dance techniques with village school children in Andretta (Himachal Pradesh), bringing out their potential by making use of the limited resources available in the area. With a strong base in street theatre, she has been exploring the connection between dance and theatre, the audience and performer through her own choreographic work and through workshops in Himachal with actors, supported by the Sangeet Natak Academy (2006) and National School of Drama (2007,08). Apart from the regular dance classes in Triveni Kala Sangam presently she is taking new production oriented workshop With Bhoomika dancers.

 In 2008, Sangeeta was awarded the Senior Fellowship from the Department of Culture, Government of India.  She has worked collaboratively with filmmakers, visual artists, theatre practitioners and Directors in choreographing their plays.

Sangeeta's workshops give us a glimpse of the many paths she has traversed on her journey.
 

Asssam Movement Workshop – An experience from 7th May to 21st May 2009

 Andretta movement class for actors/Dancers/ teachers  JUNE 7 – 21

 ACTIVITIES

 APRIL 2009

National School of Drama Delhi. Play Choreography  (King Lear)

APRIL 2009

Performance & the Printed Word – Delhi.  World Dance Day Celebrations Organised by Sangeet Natak Akademi and Federation of Publishers

 MAY 2009

Jamuguri- Asssam, Production oriented movement workshop of 15days for actors . Organised by National School of Drama

 JUNE 2009 Andretta

( Himachal Pradesh) Intense theatrical movement workshop organized by National school of drama

 July 2009

Bhoomika Dance troupe (Delhi)New  production - choreography)

 July 2009

Triveni Kala Sangam – Delhi. Regular Contemporary  Dance Classes

 July 2009

East Delhi – I.P. extension permanent Reh space of Anveshana Dance Theatre

 
The path from stillness to movement with the actors of the Sri Ram Centre. 

A dance theatre production that created a bridge between the performer and the audience at The Attic in Nov 2007 in Delhi, exploring dance from balcony to green room, green room to stage, stage to staircase.

Between students, teachers and actors at the Andretta High School in Himachal, supported by Sangeet Natak Akademi in 2005 and the National School of Drama in 2006

An interpretation of the architecture of a mud theatre in the village of Andretta, and experimentation over ten years in dance techniques with village children with their limited resources.

In 1998, Prithvi Ke Garbh Mein, selected by the Department of Culture, for the Fiftieth Anniversary of India's Independence.

At the workshops of Laban & Limon in USA in 1993 as part of the International Choreographers Residency Workshop.

Anweshana is a continuous process..of past, of present...

Anweshana, whole-heartedly dedicated to the future....

Anweshana, which is going towards a dream...going in all the four directions......

A new horizon....a new awakening around and within us...

It intends to reach out to all, no matter what is the platform....our stage could be the middle of a road or even the moon....

It would be vast..yet steady...maintaining its existing boundaries and limits, or creating new ones....

It is love, it is sharing, it is not judgmental, it is unconditional.....

People from all walks of life come and take back to their respective lives the experiences they learn here....

It knows all rules, reveres the old ones yet strives to break away from bonds.....

People can come, learn about these boundaries, incorporate them in their own personality and then create new styles....

 

Dance as art, religion, social custom, and political action will be examined as evidenced in many human societies.Students are introduced to dance anthropology, as examples are drawn from West Africa, Brazil, Japan, India, Bali  . . . . .

 

MAJOR ACHIEVEMENTS:

International:

  • 2007, Singapore : Moort Amoort; Dwar – The Door
  • 2006, Taiwan : Behati Ganga – The Flowing Stream; Moort Amoort
  • 2004, Poland : Performed solos and held workshops of Indian Contemporary Dance
    in VI International Biennale of Contemporary Dance in Poznan, Poland
  • 1993, USA : Selected and invited to attend workshops of A.D.F. As choreographer-in-residence at American Dance Festival, N. Carolina, she initinated and exposed towards modern dance technics
    ( limon  & laban ) and choreography 

Major solos:

  • 2005, 2004, Delhi: Moort Amoort - Between Stillness and Movement, supported by Department of Culture
  • 2002, Delhi : Dwar, The Door
  • 2001, Delhi : Me & My Masks
  • Feb 1999, Delhi : Niyati, presented by the Indian Council for Cultural Relations as part of their Horizon series
  • 1996, Delhi, Bangalore:  Niyati – The Fate

Major group works:

  • 2007-08  :  Meri Meera – The Divine Force
  • Mar 2006, Delhi :  Stri Parv – A Celebration of Womankind, as part of the Uday Shankar Festival organized by Sahitya Kala Parishad
  • Mar 2005, Delhi :  Behati Ganga – The Flowing Stream, as part of the Uday Shankar Festival organized by Sahitya Kala Parishad
  • 2004, Delhi : Behati Ganga – The Flowing Streams
  • 2003, Himachal : In an Empty Frame
  • Feb 2003, 2002, Delhi : My Images, at India Habitat Centre & India International Centre
  • Feb 2002 : Gandhari – Ek Pratibimb, presented the newly choreographed composition at Uday Shankar Shatabdi Samaroh sponsored by Sangeet Natak Akademi, Delhi, and the Department of Information & Cultural Affairs, Govt. of West Bengal
  • 2001, Jaipur : Nirjar Dhara, as part of the Uday Shankar Dance Festival

Major workshops and Independent Choreographic works:

  • 2007-2008 : Movement classes with the actors of Sri Ram Centre’s Acting Course 
  • Nov 2007, Delhi  :  Dance Theatre Exploration, at The Attic – exploring dance from balcony to green room, green room to stage, stage to staircase and interacted with the audience while performing an exploratory dance theatre production that created a bridge between the performer and the audience
  • 2005, 2006, Himachal : Theatre & Dance in education with teachers, students, actors of Andretta High School in Himachal; supported by Sangeet Natak Academi in June 2005 and by the National School of Drama in 2006
  • 2004 :  Dance workshop with Jagori, an NGO
  • 2006 and 2008 : Choreographed plays as part of Bharat Rang Mahotsav
  • Apr 2003 : In an Empty Frame – Presented three new works as homage to the renowned painter B C Sanyal’s on his Birth anniversary – an interpretation towards architecture of a new Mud theatre in the village Andretta, Himachal Pradesh. She has been experimenting last ten years in dance techniques with village school children in Andretta with their limited source
  • Jul 1998 :  Prithvi Ke Garbh Mein, selection by the Department of Culture, Government of India, during the Golden Jubilee Celebration of Indian Independence
  • Mar 1997, Bangalore:     Participated in the National Festival of Choreographic Works, jointly organized by the Sangeet Natak Akademi and Government of Karnataka
  • 1996  :  Choreography Festival by the India International Centre
  • 1990-1993, 1994-1995:  Bhoomika’s Young Choreographer’s Festival
  • 1992  : Yuva Mahotsav organized by the Sahitya Kala Parishad
  • 1990-1991 :  Choreography Festival organized by the Sriram Centre
  • 1997-2000, 2002-2003:  Choreographed new works for College of Business Studies, DU, which won accolades in inter-college festivals like Dwand, 1997; Agnishikha, 1998; Nirjhar Dhara, 2002; and Stream of Fire in the Journey of Life, 2003. Some of them were also selected by ICCR for their Annual International Students Festivals “Friendship Through Culture” in the years 1997-2000

 

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